Monthly Archives: January 2014



WHEN Mrs. Elstree was told that a suitable summer home had been found for her, a certain weight was lifted from her mind. The Doctor whom she had consulted in San Francisco as to her daughter’s health was emphatic in his direction that Esse should spend the coming summer high up on some mountain side, and that she should have iron and other natural tonics suitable to her anaemic condition. Dr. De Young suggested that on some of the spurs of Shasta, a spot might be found where the air was sufficiently bracing, and where the waters which lower down made the valleys green and bright with their crystal purity had the requisite volcanic qualities. Mrs. Elstree had passed by Shasta Mountain once, on her way from British Columbia, and had fallen somewhat under its spell.

It is certainly a wonderful mountain, and has a personality which is rare amongst mountains. The Matterhorn has such a quality, and so have Ranier and Mount Hood; but mountains generally have as little individuality as the items of a dish of peas.

An energetic friend volunteered to make search on Shasta, and after a fortnight’s absence telegraphed:

“Have found very spot for you and agreed purchase subject your approval–made deposit; price all told two thousand dollars; strongly advise purchase.” She immediately wired:

“Purchase. Cheque sent payable to you.” The friend was a wise, astute and businesslike agent, and when he returned to San Francisco just after an even month’s absence he brought with him the deeds of the estate. As to its beauties he would say nothing except an energetic “Wait. I may be wrong!” When further pressed he added:

“I went there to purchase for you, not myself; but if you don’t care about the buy, wire me and I’ll take the whole outfit at ten premium!”

The journey from San Francisco seemed to gain new beauty from experience. As the train, after leaving Sacramento, wound its way by the brawling river, its windows brushed by the branches of hazel and mountain-ash, the whole wilderness seemed like the natural pleasaunce of an old-world garden. The road took its serpentine course up and above its own track, over and over again, and the bracing air made the spirits of all the party more eager for a sight of the new summer home. The only exception was Miss Gimp, a good-hearted lady who had been governess of Esse up to the previous year, when she had arrived at her sixteenth birthday, and was now her mother’s secretary and companion. Miss Gimp was not altogether satisfied with the whole affair. She had not been consulted about the purchase, she had not even been asked, as an accessory after the fact, if she approved; and worst of all, she had not been there to see that everything was in good order. Mr. Le Maistre, who was Mrs. Elstree’s male factotum, steward, butler, agent, handy-man, engineer and courier, had gone on a week before with the furniture and household effects of all kinds and supplies wherewith to stock the pantry and wine-cellar. He was to meet them at Edgewood, with horses and ponies, and a suitable guide to bring them to the new house. As he had taken the Saratoga trunks, the present party went flying light as to baggage, and had only to look after their travelling bags and wraps. The live stock was in the special care of Miss Gimp and consisted of a terrier, three Persian cats, and a parrot.

It was but a little after mid-day when the train, winding up through the clearings, drew near the station at Edgewood. The scene was not altogether a promising one. There were too many old meat and vegetable tins scattered about; too many rugged tree-stumps sticking out of the weedy ground, already bare in patches under the heats of the coming summer; insufficient attention to pleasant detail everywhere, and an absolute lack of picturesqueness in the inclined plane formed of rough timber beside the track, and used for purposes of firing and watering the engines. In fact, the whole of the little clearing was in that stage of development when beauty stands equally apart from nature and utility. But there was one sufficient compensation for all the immediate squalor. Beyond, in the distance, rose the mighty splendour of Shasta Mountain, its snow-covered head standing clear and stark into the sapphire sky, with its foothills a mass of billowy green, and its giant shoulders seemingly close at hand when looked at alone, but of infinite distance when compared with the foreground, or the snowy summit.

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Drawing of Bram Stoker – 1


“The Last Scenes” by Bram Stoker

“The Last Scenes” was a nonfiction article by Bram Stoker. It was published in the UK under the full title “The Last Scenes. Sir Henry Irving’s Final Days. Statement by Mr. Bram Stoker.” in the October 16, 1905 issue of The Manchester Courier, Manchester.

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“The Last Scenes” at

“The Art of Ellen Terry” by Bram Stoker

“The Art of Ellen Terry” was a nonfiction article by Bram Stoker. The article is a short biography of the English stage actress Ellen Terry. It was first published in the US in the July 1901 issue of The Cosmopolitan: An Illustrated Monthly Magazine.

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“The Art of Ellen Terry” at

“Lies and Lilies” by Bram Stoker

Claribel lived in peace and happiness with her father and mother, from the time she was a little baby till when, at ten years old, she went to school.

Her parents were good, kind people, who loved truth and tried ever to walk in the paths of the just. They taught Claribel all good things, and her mother, Fridolina, used to bring her when every day she went to visit and comfort the sick.

When Claribel went to school, she was even happier, for not only had she her home as it was ever, but there were many new friends also who were of her own age and whom she came to know and love. The school-mistress was very good and very nice and very old, with beautiful white hair and a sweet gentle face that never looked hard or stern, except when some one told a lie. Then the smile would fade from her face; and it was like the change in the sky when the sun has gone down, and she would look grave, and cry silently. If the child who had been wicked came and confessed the fault and promised never never to tell a lie again, the smile would come back like sunshine. But if the child persisted in the lie her face would look stern, and afterwards the stern look would be in the memory of the liar, even when she was not there.

Every day she told all the children of the beauty of Truth and how a lie was so black and terrible a thing. She would also tell them stories from the Great Book; and one that she loved, and that they loved too, was of the Beautiful City where the good people shall live hereafter.

The children never tired of hearing of that City, like a jasper stone clear as crystal, with its twelve gates with names written thereon, and they used to ask the Mistress questions about the Angel who measured the City with a golden reed. Always towards the end of the story, the Mistresse’s voice would become very grave, and a hush would steal over the children and they would draw closer together in awe as she told them that outside that beautiful city were for ever condemned to stand “whosoever loveth and maketh a lie.”

Then the good Mistress would tell them what a terrible thing it would be to stand there without, and lose all the beauty and eternal glory that lay within. And all for a fault which no human being need ever commit – for telling a lie. People are not very much angry even when a fault has been done, when the truth is told at once; but if a fault is made worse by a lie then everyone is justly angry. If men and women, even fathers and mothers who love their little children very tenderly, are angry, how much more will God be angry against whom the sin of a lie is made.

Claribel loved this story and often cried as she thought of the poor people who will have to stand without the Beautiful City for ever, but she never thought that she would tell a lie herself. Indeed, she never did till temptation came. When people think themselves very good they are in danger of sin, for if we are not ever on the watch against evil we surely do some wrong thing; and as Claribel feared no evil, she was easily led into sin.

The children were all at their sums. A few of them knew their arithmetic and got out their answers and proved them; but some could not get out the answer right, and others stuck and could not get out any answer at all. A couple of naughty ones did not even try to get out the answers, but drew pictures on their slates and wrote their names. Claribel tried to do her sum, but she could not remember 9 times 7, and instead of beginning at “twice one are two” and going on up, she grew idle and lazy and gave up the sum and drew the beginnings of pictures and gave them up too. She looked up at the window thinking of something to draw and saw on the lower panes coloured flowers painted there so as to prevent the children looking at the people outside during lesson time. Claribel fixed on one of these flowers, a lily, and began to draw it.

Skooro saw her looking up and began his evil work. In order to help her to do what she ought not to do he took the shape of a lily and lay on the slate very faintly, so that she had only to draw round his edges and then there was a lily drawn. Now it is not a wrong thing to draw a lily, and if Claribel had drawn it well at a proper time she would have got praise; but a good thing may become a bad thing if it is wrongly done – and so it was with Claribel’s lily.

Presently the Mistress asked for the slates. When Claribel brought hers up she knew that she had done wrong and was sorry; but she was only sorry because she was afraid of being punished. When the Mistress asked for the answer she hung down her head and said she could not get it.

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“Lies and Lilies” at

“How 7 Went Mad” by Bram Stoker

On the bank of the river that flows through the Land there stands a beautiful palace, where one of the great men dwells.

The bank rises steep from the rushing water; and the great trees growing on the slope rise so high that their branches wave level with the palace turrets. It is a beautiful spot, where the grass is crisp and short and close like velvet, and as green as emerald. There the daisies shine like stars that have fallen, and lie scattered over the sward.

Many children have lived and grown to be men and women in the old palace, and they have had many pets. Amongst their pets have been many birds – for birds of all kinds love the place. In one corner is a spot which is called the Birds’ Burying Ground. Here all the pets are laid when they die; and the grass grows greenly here, and many flowers spring up among the monuments.

One of the boys that had here dwelt had once, as a pet, a raven. He found the bird, whose leg had been wounded, and took it home and nursed it till it grew well again; but the poor thing was lame.

Tineboy was the youth’s name; and the bird was called Mr. Daw. As you may imagine, the raven loved the boy and never left him. There was a cage for it in his bedroom, and there the bird went every night to roost when the sun went down. Birds go to bed quite regularly of their own accord; and if you wished to punish a bird you would make him get up. Birds are not like boys and girls. Just fancy punishing boys or girls by not letting them go to bed at sunset, or by preventing them getting up very early in the morning.

Well, when morning came this bird would get up and stretch himself, and wink his eyes, and give a good shake all over, and then feel quite awake and ready to begin the day.

A bird has a much easier time of it in getting up than a boy or a girl. Soap cannot get into its eye; or the comb will not stick in knots of hair, and its shoe-laces never get into black knots. This is because it does not use soap, or combs, or shoe-laces; if it did, perhaps it also would suffer.

When Mr. Daw had quite finished his own dressing, he would hop on the bed and try and wake his master and make him get up; but of the two to wake him was the easier task. When the boy went to school the bird would fly along the road beside him, and would sit near on a tree till school was over, and then would follow him home again in the same way.

Tineboy was very fond of Mr. Daw and he used sometimes to try to make him come into the schoolroom during school-hours. But the bird was very wise, and would not.

One day Tineboy was at his sums, and instead of attending to what he was doing, he kept trying to make Mr. Daw come in. The sum was “multiply 117,649 by 7.” Tineboy and Mr. Daw kept looking at one another. Tineboy made signals to the bird to come in. Mr. Daw, however, would not stir; he sat outside in the shade, for the day was very hot, and put his head on one side and looked in knowingly.

“Come in, Mr. Daw,” said Tineboy, “and help me to do this sum.” Mr. Daw only croaked.

“Seven times nine are seventy-seven, seven times nine are seventy-nine – no ninety-seven. Oh, I don’t know – I wish number 7 had never been invented,” said Tineboy.

“Croak;” said Mr. Daw.

The day was very hot and Tineboy was very sleepy. He thought that perhaps he would be able to do the sum better if he rested a little while, just to think; and so he put his head down on the table. He was not quite comfortable, for his forehead was on the 7, at least he thought it was; so he shifted it till it hung right down over the edge of the desk. Then, after a while, somehow, very queer things began to happen.

The Teacher was just going to tell them a story.

The scholars had all settled themselves down to listen; the Raven sat on the sill of the open window, put his head on one side, closed one eye – the eye nearest the school-room – so that they might think him asleep, and listened away harder than any of them.

The pupils were all happy – all except three. One because his leg went to sleep; another because she had her pocket full of curds and wanted to eat them, and couldn’t without being found out, and the curds were melting away; and the third, who was awfully sleepy, and awfully anxious to hear the story, and couldn’t do either because of the other.

The schoolmaster then began his story.

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“How 7 Went Mad” at

US First Edition Book Cover